JaneSmith105
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1. The Meaning
The rite through which a man placed his seed in a woman was called Garbhadhana. Saunaka gives the similar definition though in slightly different words; "The rite by the performance of which a woman receives semen scattered (by her husband) is call Garbhalambhanam or Garbhadhana." So this is quite clear that this rite was not a religious fiction but a ceremony corresponding to fact, though its adherents, later on, fought shy of, and ultimately, abandoned it.
We know nothing about sentiments and rites, if any, regarding the procreation of children and the ceremonial procedure accompanying it in the pre –Vedic times. It must have taken a very long period for the evolution of this samskara. In the beginning, procreation was a natural act. A human pair copulated, whenever there was a physical demand for it, without any anticipation of progeny, though it was usual consequence. The Garbhadhana Samskara, however, presupposed a well established home, a regular marriage, a desire of possessing children and a religious idea that beneficient gods helped men in begetting children. So the origin of this Samskara belongs to a period when the Aryans were far advanced from their primitive conditions.
The Vedic Period
In the Vedic period we see that parental instincts found their expression in many utterences containing prayers for children. Heroic sons regarded as boons conferred by gods on men. The theory of Three Debts was in the process of evolution in the Vedic period. A son was called "Rinachyuta" or one who removes debts, which may denote parental and economic both and the begetting of children was regarded a sacred duty blinding on every individual. Moreover, there are many similes and references in the Vedic hymns bearing on how to approach a women for conception. Thus an idea, and, perhaps, a simple ceremony regarding conception were coming into existence in the Vedic period.
Though the ritual procedure adopted in the Garbhadhana must have assumed a fairly ceremonious shape before the codification of the Samskaras in the Grhyasutras, we do not get an exact information about it in the pre – sutra period. But we come across many prayers in the Vedic hymns pointing to the act of conception, "Let Visnu prepare the womb; let Tvastar adorn thy form; let Prajapati pour on; let Dhatar place the embryo. Place the embryo, O Sarasvati; let both the Asvins garlanded with blue lotus set thine embryo." "As Asvattha has mounted the Sami; there is made the generation of male; that varily is the obtainment of a son; that we bring into women. In the male indeed grows the seed. That is poured along into the women; that verily is the obtainment of a son; that Prajapati said." A verse in the Atharvaveda, contains an invitation to wife to mount the bed for conception: "Being happy in mind, here mount the bed; give birth to children for me, your husband." Descriptions of actual copulation are also found in the pre – sutra literature. From the above references we gather that in the pre – sutra period the husband approached the wife, invited her for conception. Prayed to gods for placing the embryo into her womb and then finished fertilization. The procedure was very simple. No other details are available. It is just possible that some kind of ceremony was performed on this occasion, but we are quite in dark about it. The reason why this ceremony is not described in details seems to be that originally it formed a part of the marriage ritual.
The Sutra Period
The Garbhadhana ceremonies are, for the first time, systematically dealt with in the Grhyasutras. According to them, since marriage the husband was required to approach the wife in every month when she was ceremoniously pure after her monthly course. But before the conception, one had to observe various vows according to the desire of possessing different types of sons – Brahmana, Srotriya (one who has read on sakha), Anuchana (who has read only the Vedangas), Rsikalpa (who has read the kalpas), Bhruna (who has read the sutras and the Pravachanas), Rsi (who has read the four vedas), and Deva (who is superior to the above ). At the end of the vow, cooked food was offered to the fire, after this, the pair were prepared for cohabitation. When the wife was decently decorated, the husband recited Vedic verses containing similes of natural creation and invocations to gods for helping the woman in conception. Then embracing began with verses containing metaphors of joint action of male and female forces, and the husband rubbed how own body with verses expressing his fertilizing capacity. After embracing, conception proper took place with prayers to god Pusan and an indication to scattering semen. The husband, then, touched the heart of the wife, reclining over her right shoulder with the verse, "O thou whose hair is well parted. Thy heart that dwells in heaven, in the moon, that I know; may it know me. May we see a hundred autumns."
The Dharmasutra, the Smrti and Subsequent periods
The Dharmasutras and the Smrtis add little to the ritualistic side of this samskara. Rather they lay down rules regulating the performance, e.g. when the conception should take place; recommended and prohibited nights; astrological considerations; how a polygamous man should approach his wives; conception a compulsory duty and its exceptions; the right of performing the Samskara etc. Only a few Smrtis like the Yajnavalkya, the Apastamba and the Satatapa prescribe bathing for husband after coition, though the wife is exempted form this purification. The last named authority says, "In the bed the husband and the wife both become impure. But after they get up, only the former becomes impure while the latter remains pure."
The Prayogas and the Paddhatis add a few new features to this Samskara. They introduce the worship of Puranic gods and prescribe Sankalpa (determination), Matrpuja and Nandisraddha, and worship of Ganesa or Vinayaka in the beginning of it. Presents and feasts are also enjoined at the end of the Samskara. These features, however, are common to almost all Samskaras.
The rite through which a man placed his seed in a woman was called Garbhadhana. Saunaka gives the similar definition though in slightly different words; "The rite by the performance of which a woman receives semen scattered (by her husband) is call Garbhalambhanam or Garbhadhana." So this is quite clear that this rite was not a religious fiction but a ceremony corresponding to fact, though its adherents, later on, fought shy of, and ultimately, abandoned it.
We know nothing about sentiments and rites, if any, regarding the procreation of children and the ceremonial procedure accompanying it in the pre –Vedic times. It must have taken a very long period for the evolution of this samskara. In the beginning, procreation was a natural act. A human pair copulated, whenever there was a physical demand for it, without any anticipation of progeny, though it was usual consequence. The Garbhadhana Samskara, however, presupposed a well established home, a regular marriage, a desire of possessing children and a religious idea that beneficient gods helped men in begetting children. So the origin of this Samskara belongs to a period when the Aryans were far advanced from their primitive conditions.
The Vedic Period
In the Vedic period we see that parental instincts found their expression in many utterences containing prayers for children. Heroic sons regarded as boons conferred by gods on men. The theory of Three Debts was in the process of evolution in the Vedic period. A son was called "Rinachyuta" or one who removes debts, which may denote parental and economic both and the begetting of children was regarded a sacred duty blinding on every individual. Moreover, there are many similes and references in the Vedic hymns bearing on how to approach a women for conception. Thus an idea, and, perhaps, a simple ceremony regarding conception were coming into existence in the Vedic period.
Though the ritual procedure adopted in the Garbhadhana must have assumed a fairly ceremonious shape before the codification of the Samskaras in the Grhyasutras, we do not get an exact information about it in the pre – sutra period. But we come across many prayers in the Vedic hymns pointing to the act of conception, "Let Visnu prepare the womb; let Tvastar adorn thy form; let Prajapati pour on; let Dhatar place the embryo. Place the embryo, O Sarasvati; let both the Asvins garlanded with blue lotus set thine embryo." "As Asvattha has mounted the Sami; there is made the generation of male; that varily is the obtainment of a son; that we bring into women. In the male indeed grows the seed. That is poured along into the women; that verily is the obtainment of a son; that Prajapati said." A verse in the Atharvaveda, contains an invitation to wife to mount the bed for conception: "Being happy in mind, here mount the bed; give birth to children for me, your husband." Descriptions of actual copulation are also found in the pre – sutra literature. From the above references we gather that in the pre – sutra period the husband approached the wife, invited her for conception. Prayed to gods for placing the embryo into her womb and then finished fertilization. The procedure was very simple. No other details are available. It is just possible that some kind of ceremony was performed on this occasion, but we are quite in dark about it. The reason why this ceremony is not described in details seems to be that originally it formed a part of the marriage ritual.
The Sutra Period
The Garbhadhana ceremonies are, for the first time, systematically dealt with in the Grhyasutras. According to them, since marriage the husband was required to approach the wife in every month when she was ceremoniously pure after her monthly course. But before the conception, one had to observe various vows according to the desire of possessing different types of sons – Brahmana, Srotriya (one who has read on sakha), Anuchana (who has read only the Vedangas), Rsikalpa (who has read the kalpas), Bhruna (who has read the sutras and the Pravachanas), Rsi (who has read the four vedas), and Deva (who is superior to the above ). At the end of the vow, cooked food was offered to the fire, after this, the pair were prepared for cohabitation. When the wife was decently decorated, the husband recited Vedic verses containing similes of natural creation and invocations to gods for helping the woman in conception. Then embracing began with verses containing metaphors of joint action of male and female forces, and the husband rubbed how own body with verses expressing his fertilizing capacity. After embracing, conception proper took place with prayers to god Pusan and an indication to scattering semen. The husband, then, touched the heart of the wife, reclining over her right shoulder with the verse, "O thou whose hair is well parted. Thy heart that dwells in heaven, in the moon, that I know; may it know me. May we see a hundred autumns."
The Dharmasutra, the Smrti and Subsequent periods
The Dharmasutras and the Smrtis add little to the ritualistic side of this samskara. Rather they lay down rules regulating the performance, e.g. when the conception should take place; recommended and prohibited nights; astrological considerations; how a polygamous man should approach his wives; conception a compulsory duty and its exceptions; the right of performing the Samskara etc. Only a few Smrtis like the Yajnavalkya, the Apastamba and the Satatapa prescribe bathing for husband after coition, though the wife is exempted form this purification. The last named authority says, "In the bed the husband and the wife both become impure. But after they get up, only the former becomes impure while the latter remains pure."
The Prayogas and the Paddhatis add a few new features to this Samskara. They introduce the worship of Puranic gods and prescribe Sankalpa (determination), Matrpuja and Nandisraddha, and worship of Ganesa or Vinayaka in the beginning of it. Presents and feasts are also enjoined at the end of the Samskara. These features, however, are common to almost all Samskaras.